SUPERMANIA brings you a first-hand report from the halls of the Art Ludique-Le Musée in Paris, currently housing the largest archive of DC Comics related exhibits from both page and screen ever to be assembled.
First reported here and now extended until January next year, word on the museum’s Facebook page is ‘The Art of DC – Dawn of the Superheroes’ is destined for the UK in 2018, just in time for the 40th anniversary of Superman: The Movie.
For now, however, please enjoy the superb images and insights from Superfan Graham Holden as he takes you on this exclusive walkthrough…
“Having heard about “The Art of DC – Dawn of the Super Heroes” exhibition around the time it was originally due to close in September, I was excited to hear it had been extended to early January 2018 so I had to pay a visit. The only concern I had was that the exhibition itself was being held at the Art Ludique-Le Musée in Paris and not closer to me in the UK.
When I walked into the exhibition, I was immediately thrilled to hear John Williams’ classic Superman theme playing on a continuous loop – and soon as I turned the corner, there stood the holy grail I had come to see above everything else…a near perfect Superman The Movie costume as worn by Christopher Reeve. The Superman costume colours were vibrant and in great condition, with a small bit of wear on the oval belt buckle. I was very surprised by just how great the costume looked, you’d never have guessed it was over 40 years old. Alongside it stood a Clark Kent suit with unbuttoned shirt and Superman tunic beneath it from Superman II, It’s a moment any fan of Superman – especially the Christopher Reeve series – will get goosebumps seeing these iconic costumes with the iconic theme playing around you at the same time.
I felt like a kid standing face to face with the Man of Steel himself and was very happy I’d made this pilgrimage to see this exhibition. Around the same area were a number of storyboard drawings and preproduction designs from both Superman I &II, including an alternative look at Krypton technology and The Phantom Zone with Jor-El and the villains sketched out.
There were also small Superman and Lois Lane models side by side in a display case, used for their romantic night time flight over Metropolis. You could tell from the detailing on the Superman model that the same fabric used to make the costumes worn by Reeve had also been used in the miniature.
As I spent considerable time taking in these exhibits and looking over them again and again, numerous visitors were entering and the reaction to seeing Christopher Reeve’s Superman costume was the same as mine, pure joy and excitement with lots of photographs and selfies taken.
As for the rest of the exhibition, we were treated to much more original comic book artwork from the world of DC Comics, as well as costumes, props and production artwork from Superman Returns, the unmade Superman Lives and Batman ’89, Batman Returns, Batman Forever, Batman & Robin and The Dark Knight trilogy.
Thank you DC Comics, Warner Brothers and Art Ludique-Le Musée for creating this exhibition and allowing this fan from the UK and many others, the chance to enjoy such a priceless experience…”
SUPERMANIA presents what at a casual glance would appear to be just another cover story for the opening of the theatrical run of Superman II but this particular issue of London’s Time Out magazine from 1981 represents not only the first no-holds-barred account of the troubled production but what would ultimately result in the demotion of the leading lady.
Indeed, Dave Pirie’s article ‘The Truth about Superman‘ has been cited on more than one occasion as so inflammatory that Margot Kidder’s opening remarks (top) about the Producers consequently limited her appearance in Superman III to a pair of short bookend scenes. Common knowledge now but revealed with clarity here are the reasons for Brando’s absence from the sequel, the terms on which Dick Donner was dismissed and the almost hilarious lengths Alexander Salkind went to both fund the project and avoid incarceration as a result of various lawsuits.
Not even Christopher Reeve, already acknowledged for his discretion throughout the process could hold back his feelings regarding the rewrites of the Donner/Mankiewicz script for II and the decision to throw all of his scenes with Brando onto the cutting room floor. Interestingly, Reeve is quoted as saying that Guy Hamilton (the Salkinds first choice as director) was drafted in as Donner’s replacement long before Richard Lester took the reigns.
Given all the controversy it is fairly miraculous that the finished product (also reviewed by Pirie, bottom pic) gained such plaudits as a successor to the original, the marked differences between thematic and directorial styles highlighted here still relevant and hotly debated today…
Footnote: Among the many examples of how the Salkinds were to exploit their property not mentioned here was the sale of an extended cut, nearing three hours long, edited together without any approval of the director and broadcast over two nights by US Station abc purely to attain the advertising revenue. Never shown again and long believed lost, this version has just been restored by Warner Archive and is released on Blu-Ray next month (see sidebar)
Jillan Freisen, DAILY PLANET15:00 ET July 30th 2017
METROPOLIS – The Man of Steel is reunited with fallen dictator and fellow Kryptonian General Dru-Zod during a visit to a top-secret Government facility. Zod and his cohorts, Ursa and Non were imprisoned in 1981 after an attempt at world domination was thwarted by Superman during a battle in an undisclosed location in the Arctic. The trio were sentenced to five consecutive life-sentences each, reduced to three after it was discovered they had been stripped of all their unearthly powers and been rendered mere mortals. Zod, now 79, and subject to decades of rehabilitation has had numerous appeals for his release rejected despite claims of repentance for his crimes, which included the murder of three astronauts and collateral damage to the cities of Washington DC and Metropolis estimated at $3.6 Billion. After their brief private conversation, Superman was challenged about his motivation for the meeting and said “While the General’s crimes were terrible and many of his actions unforgivable, he and his associates are nonetheless a vital link to my former homeworld. I have absolute faith in our Government and legal system and support their efforts to ensure their term is served according to Earth’s laws.” (Photograph by James Olsen)
Last week’s London FIlm & Comic Con at the Olympia scored an unprecedented coup for fans of the classic Superman Movies by announcing the first ever reunion of all three villians from Superman I &II, and almost delivering.
In a guest lineup that promised no less than Sarah Douglas, Jack O’Halloran and Margot Kidder, Showmasters had done what many thought was impossible and had managed to secure legendary British actor Terence Stamp for his Convention debut. Besides the obligatory autograph signing, the bill included a group photo session of all the Super-stars and a talk with Q&A. It was, in short, a once in a lifetime opportunity and of course, SUPERMANIA was there.
Despite best laid plans, however, the show was dealt a series of blows in the form of guest cancellations right up to the last minute meaning the organisers could not fulfil their promises and were made to improvise in ways that unfortunately left many advance paying fans disappointed. First to go was Jack O’Halloran, who had to drop out for health reasons (get well soon big man!) and then in the irony of Ironies, poor Margot Kidder missed her flight and never made it to the UK.
There was great relief on the Saturday as Terence and Sarah’s arrival was confirmed by a photo on social media so happily photo sessions and the talk would go ahead, but not exactly as intended. The group photo session (costing over £100 paid in advance) was cancelled in favour of a joint picture with Terry and Sarah (third pic) which would’ve been a great alternative had it been organised and promoted correctly. Instead, fans that had bought group photos were turned away with a promise of a refund and could only purchase a ticket for the double pic there and then for £70 in cash only. This outrageous action was followed up with a poor queuing system that meant anybody without a Diamond Pass (Over £200) had little chance of obtaining Terence Stamp’s coveted autograph.
In fact, the show was evidently massively over-subscribed and it was everything one could do to bounce from location to location to obtain what you had, in most cases, already paid for. This, and the excessive crowds did not make for a pleasurable experience and were it not for the class act that is Ms.Douglas (bottom pic signing a replica of the Phantom Zone) being the standard by which all other con guests should be judged, it would’ve been worse.
So thank goodness for Mr. Stamp, who maintained an unflappable aura for the entire proceeding. Softly spoken and gentile, his iconic intense gaze was as sharp as ever now found under a shock of white hair. This was what hit me first as I approached for my photo wearing the Superman costume (top pic) as he glared at me up and down, it seemed to me, completely in character!
Drawing up next to him whilst feeling a combination of awe and dread, he extended his hand to shake mine and whispered, ‘Hello, lovely to meet you thanks, for coming’. Now, as you can imagine, for a fan of the Superman series since childhood this was a powerful significant moment. The General, it turns out, is a total gentleman and if you ever get the chance, as many people did that day, I can’t recommend meeting him highly enough.
There was still one hurdle to overcome before the day could end and that was obtaining Terence’ autograph. During the day I’d been so gratified that many Super-fans had come up to me to say hello and compliment me on the costume and for the first time at a con a had real sense of community – it was great to put names to faces including Mark Cookson, Filip Biesmans and Graham Holden. One fan, it would turn out, would turn out to be the biggest hero of all as it looked like we weren’t going to get the much-coveted autograph after all.
A serious contender for No.1 Superfan in the UK, Andrew Hanton was already in the queue for Terence and saved the day by getting a photo signed on my behalf (second pic) made all the more significant by way of his alternate signature (where you can actually make out his name). Quite why he elected to do this rather than the standard two lines is a mystery but I was overjoyed with the result and it is now a key piece in the SUPERMANIA collection.
While I would be reluctant in the extreme to attend the London show again, rumours persist about plans for an ultimate celebration of the 40th anniversary of Superman: The Movie next year. If anybody can do it, Showmasters can but I would hope that many learns have been taken on in the meantime from the LFCC 2017 experience…