The series of vintage cereal premiums continues with the hopelessly complicated (for its target audience) card No.3 ‘Ski Chase’ and the ‘Hangman’ inspired ‘Tower Of Pisa’ game.
Once again the only saving grace here is the fantastic artwork (presumably by Garcia-Lopez) that is a great prelude to the definitive works he would produce only a year later for the beloved Kenner ‘Super Powers’ Action Figure line…
Coming soon – The final pair..!
While it would be SUPERMANIA’s ultimate pleasure to inform Superfan’s that what you see here is an all-new soon-to-be-available licensed statue from (insert your favourite manufacturer here), sadly this breathtaking work in progress is the latest private art from the father of the Hot Toys Superman figure – Arnie Kim.
Literally expanding his longtime 1/4 scale head project to a full-figure, the shots above portray the astonishing level of detail Arnie is renowned for even on a sculpt that will mostly be enveloped in costume.
And what a sculpt it is – rather than opting for a generic body Kim has obviously put as much work into studying his subject’s physique as he has the face, perfectly capturing Christopher Reeve’s proportions (long legs, short torso) as well as the finer motif’s such as the protruding ribcage and broad shoulders (top pic) making it the most accurate rendition in this scale to date.
And the pose, simplicity itself, proving beyond doubt that a statue need not be contorted into an uncomfortable looking ‘action’ pose to be dynamic.
The future of this piece is unknown at this point, maybe even to Mr. Kim himself. There is always hope, however, that this could be made available in a similar fashion to Arnie’s recent (extremely) limited run of the finished headsculpt. While these were expensive, certainly, the quality was such that its unlikely their current owners will ever part with them. Should this figure yield a similar run history may well repeat itself. We shall see…
As promised, here are the first two (of a set of six) Superman III Shreddies promotional wipe-away ‘Action Replay’ game cards. Game 1 you will notice is a thinly-disguised version of Battleship and game 2 is a weird variation on Connect 4.
As the play potential of these is evidently limited, thank goodness the colourful artwork elevates them above your standard cereal giveaway – parts 3&4 coming soon..!
With the unveiling of the latest live-action incarnation of the Maid of Might going viral faster than a speeding bullet, SUPERMANIA leaps ‘once upon a timewarp’ to compare Super-Fashions thru the ages.
While the new small-screen ensemble leans heavily to the modern trend of muted, almost blacked out colours (influenced by, and therefore canon with Zack Snyder’s Man of Steel) its interesting to observe that the basic format of the suit has transcended any excessive studio revisionism and still echoes the movie version years later.
Emerging from a decade where the Superhero costume in live action was considered passé and decidedly uncool (pioneered by the producers of Smallville and their ‘no flights, no tights’ rule) its refreshing have the source material embraced fully once again.
Indeed, given the creative freedom afforded to other recent DC Comics adaptations like Arrow and The Flash with their ultra-modern twist the fact the mini-skirt and even the classic ‘S’ shield survived intact signifies a welcome return to classic comic iconography.
The translation of a comic-book costume to screen is traditionally subject to infinitesimal changes as designer Emma Porteous discovered in creating Helen Slater’s look for Supergirl in 1984. Literally adapting the style seen in the comics of the era, early versions of the costume (as seen in the Making of Supergirl) had the young actress screentest in a baggy suit resplendent with red headband. Successive fittings would eventually realise a feminine version of the Superman costume worn by Christopher Reeve (even utilizing his production-used capes) with the subtle additions of yellow waistband and a two-tone skirt in place of red shorts.
In 2011 The Children’s Museum of Indianapolis was host to a multitude of screenused treasures in their ‘Incredible Costumes from Film & TV’ exhibition, where an original Supergirl costume (on loan from the Azerian collection) was paired with one of Lynda Carter’s surviving season 2 costumes from Wonder Woman (top pic). Exclusive images courtesy of their flickr album permit detailed inspection of the costume as it was prepared for display confirming the fabric used was indeed the same ‘Bridal weight spandex’ from the Superman series and that the capes were trimmed considerably (second pic).
As the boots were not present to complete the outfit its notable that the tights actually had boot-esque stockings attached to be worn beneath them in exactly the same design with the yellow trim. Construction-wise the suit retains the same patterns as the Superman costume with the exception of the chest shield, which in this instance is so small the complex method of inserting the negative shapes gave way to simply stitching the ‘S’ directly onto the yellow background.
With the new show debuting this year and rumours of Helen Slater making an appearance it seems the Supergirl fairytale is set to continue for years to come…