King Video Vs. WB…

DSC_1931DSC_1932DSC_1928DSC_1930Concluding this month’s SUPERMANIA special feature on the vintage Laser DIsc releases of the Superman series is the franchise denouement/killer Superman IV: The Quest For Peace.

Despite its quaint assessment by Desmond Ryan of The Philadelphia Enquirer as ‘good fun’ (See tagline on US release, third pic down) this final entry proved to be bittersweet but no less controversial than any of its predecessors.  Dogged with problems from its conception onwards and executed with a fraction of its intended budget, the above is notable for representing both the shortest and longest cuts of the movie before the advent of DVD.

The longest and therefore most coveted is the Japanese import release from King Video distributors (Top & Second pic) which was popular with US fans due to its 93 minute runtime.  This, along with its sharp and unique sleeve art made it a serious collectable in its own right until ‘all’ of the lost footage was found and reinserted (as deleted scenes in workprint form) by WB years later for the Deluxe Edition on DVD.

Typically, the Western version was what would only be described as ‘Vanilla’ even back then, with a 90-minute runtime and uninspired presentation (replete with a still from a deleted scene carelessly included on the rear of the sleeve) though the reproduction of Daniel Goozee’s fantastic poster art on the cover is first class.

I hope you have enjoyed this overview of these great pieces of cinematic, now collectable history – please feel free to leave any comments or questions.  Until then, a very Happy Easter to you all..!

Thorn Vs. Weintraub…

DSC_1925DSC_1926DSC_1922DSC_1923More scarce Japanese imports from the SUPERMANIA collection – highlighting another double dip for Richard Lester’s Superman III.  Though once again beautifully presented  there are some curious artwork inclusions here – notice the stills from Superman: The Movie in the gatefold of the first disc (second pic) and the striking cover for the second (third pic down) utilising a frame of Superman smashing through the shield from the opening of the Superman III teaser trailer.

With a first release by Thorn/EMI seemingly covering all the bases again it seems a mystery why there should be a subsequent one by the Weintraub Corporation.  I know little of Weintraub’s connection with this film, (save for their ugly logo interfering with what otherwise would be a perfectly uniform set on VHS) but it seems they were eschewed for later releases on different formats.  If anybody can clarify Weintraub’s involvement with the Superman series, feel free to leave a comment…

Coming soon, Superman IV

Superdad…

Spin1Soin3Spin4 Spin2More exclusive prints from the SUPERMANIA archive depicting location filming for Superman IV: The Quest For Peace in rural England.  Shown above is the screen debut of one Alexandra Reeve, daughter of Superman Christopher.

The bulky flying harness apparent around Reeve’s midsection was mistaken by the British press at the time for the actor putting on excess weight, generating headlines such as ‘Superslob!’

Both Reeve children featured in the scene where a tornado started by the fiendish Nuclearman devastates a Kansas farm shown in European cinemas but excised from the US cut.  The workprint version can be found on the Superman IV Deluxe edition DVD/Blu-Ray…

WHV Vs. Evergreen…

DSC_1916 DSC_1917 DSC_1919DSC_1921More pristine examples from the SUPERMANIA collection with a Laserdisc double-dip for Richard Lester’s Superman II.  Both these Japanese imports boast the customary fabulous artwork on the covers & gatefold although quite why there should be two separate releases (one under the ‘Ever Green’ banner) escapes me.  Anybody versed in Laserdisc history should feel free to leave a comment… 

East Vs. West…

DSC_1908 DSC_1911DSC_1909DSC_1913Enjoy this first in a series of posts dedicated to showcasing the various incarnations of the Superman Motion Picture series on Laserdisc.  I was lucky enough to recently acquire a complete set of rare Japanese releases to compliment my small collection of US/UK equivalents.

Naturally the Japanese versions (top three pics) reign supreme design-wise with their customary attention to detail and producing pin sharp imagery for their packaging.  Featuring a striking front/back cover and gatefold full of black & white publicity shots, the two-disc set is parallel in quality to the original Superman: The Movie soundtrack album. Languishing behind is the US version (bottom pic) with second-rate graphics and afterthought presentation with two discs crammed tightly into one sleeve.

I wish I could offer some insight into the picture/sound quality of the discs themselves but as Laserdisc was a format I managed to bypass completely I lack the equipment to play them although I’ve heard it said many times their quality trampled VHS.  Nevertheless as collectables these pieces feature some rare imagery and are among some of the nicest I own – look out for the sequels in posts to come..!