SUPERMANIA is pleased to report that progress continues on the Superman IV trading card project now that designs have been refined by SuperFan Alexei Lambley-Steel to better match cards from the era (In the late ’80’s card numbers were relegated to the rear and titles were changed to uppercase!), while the descriptive card backs telling the story (written by myself) are currently at the halfway point.
As we are presenting the set based on an idealized version of the the film in its complete, uncut form, the story is being adapted using both the DC Comics Special and the novelisation by B.B Hiller. This presents the opportunity to use images from cut scenes while filling in the gaping plot holes from the theatrical version in an attempt to make it a coherent whole. While my archive of quality stills is used in its entirety, Alex and I agreed the only way to convey the story properly was to use screengrabs, the first excellent results of which we present above.
Stay tuned for further updates of this exciting project..!
Despite his own legendary status, British artist/writer John Byrne was all-too aware of the responsibility of revamping Superman’s origin story to the point where he likened the assignment to being handed the bible and told to ‘fix this‘.
In 1986, however, fixing was exactly what it needed. By the late 1980’s comic audiences had grown more sophisticated and though he’d entertained solidly for almost fifty years, Superman was starting to show his age. Once again it seems ironic that the Man of Tomorrow’s four-color regeneration would borrow so heavily from its cinematic adaptation first screened almost a decade before. Indeed, unnecessary appearance from Batman notwithstanding, structure-wise at least the six-part Man Of Steel series could easily pass for another draft of Superman:The Movie.
Far from denying the film’s influence, however, Byrne openly embraces it by rendering his hero in the likeness of the film’s leading man. Among these beautifully crafted pages there are re-tellings of both Krypton and Smallville segments at once touching and economical by omitting SuperBoy and allowing the Kents to survive as a continuing (and positive) influence.
These, among other narrative touches (like the feisty character of Lois Lane and the introduction of Lex Luthor as a corporate vulture) in turn clearly had an impact on the producers of Lois & Clark where they were retained as such for television. The movie sequels are acknowledged too with Byrne showing us in Part 5 what Superman III could/should have been in epic style.
Ultimately though, Man Of Steel remains a solid milestone in the continuing journey of Superman’s fight to stay contemporary. So well-crafted was Byrne’s re-imagining it survived as canon right up until last year, but that’s another story…
From the top, select examples of John Byrne’s Man of Steel mini-series paying clear tributes to the the Donnerverse, second in a series of recommended reading trade paperbacks for fans of the Movies.
